Imagin(eer)ing Bonechewer Part 2 - Coloring by rathacat, journal
Imagin(eer)ing Bonechewer Part 2 - Coloring
(Read Part 1)
Once Dani did the line drawings for Bonechewer's model sheet, Tod began inking and coloring them. At the same time we decided to do a Kickstarter video, including a segment on how Tod experimented with coloring Boney. So, as he worked, Tod videoed his process. Dani also videoed herself doing the pencil art.
Just for fun, here's the video, which shows Dani and Tod developing Bonechewer:
Soundtrack music:
"Bone Chewer" - Theme Song by The Bard in Green
http://www.thebardingreen.info/
Choosing the side view and the portrait, Tod worked his watercolor and ink wizardry, posting the two images on Feb 3, 2013.
bonechewer1.png Wi
Imagin(eer)ing Bonechewer Part 1 RGN Update #14 by rathacat, journal
Imagin(eer)ing Bonechewer Part 1 RGN Update #14
Copyright 2015 by Dani Long
Inspiration and Concepts
Developing a model sheet for Bonechewer loomed as a difficult task, so the team decided to postpone it until we had done a first pass on Thakur.
As Sheila Ruth said on Dec. 9, 2012, “I think that Bonechewer is going to be the hardest to get right. It's going to be difficult to capture those qualities that make him so beloved, without anthropomorphisizing too much.”
I began the Bascamp thread with a verbal thumbnail of our challenging named UnNamed One: “And our favorite rogue and renegade steps on-stage. He looks similar to Thakur, but rougher and wilder, maybe a bit sc
What Ruins A Painting? by Goodnight-Melbourne, journal
What Ruins A Painting?
What Ruins A Painting?(or makes it better)
We all had those kind of paintings at some point, looking at which we felt something is not right – something is not right – But could not find it. What went wrong? We have put every finest details and all our patience in it. Then?
Art has its own science. Science that makes a successful art – something that comes out exactly you thought of and leaves the same impact on your audience. That science is known as composition in art and music. Where your eyes will go at first, how you will draw attention, how much attention you will draw – these are not luck, but pure